Love is Not Enough (feat. Zoë Johnston) - Acoustic
- BPM
- 130
- Open Key
- 8m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2013
- Album
- Love is Not Enough (feat. Zoë Johnston) [Acoustic]
- Genre
- Progressive Trance
- Loudness
- -12.1 dB
- ISRC
- GBR481300079
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Is Not Enough - Hybrid Minds Remixremix3A · 174
- Love Is Not Enoughoriginal3B · 130
- Love Is Not Enough - Fatum Remixremix3A · 128
- Love Is Not Enough - Above & Beyond Club Mixversion3A · 130
- Love Is Not Enough - Fatum Extended Mixversion3B · 128
- Love Is Not Enough - Kaskade Remixremix3A · 128
Against the original (3B at 130 BPM), this version holds the same tempo and moves the key from 3B to 3A.
Love is Not Enough (feat. Zoë Johnston) - Acoustic: peak-time tempo progressive trance, B♭ minor (3A), 130 BPM. Tonally it lands brooding and low-slung. It is vocal-led. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love is Not Enough (feat. Zoë Johnston) - Acoustic in?
Love is Not Enough (feat. Zoë Johnston) - Acoustic by Above & Beyond is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Love is Not Enough (feat. Zoë Johnston) - Acoustic?
Love is Not Enough (feat. Zoë Johnston) - Acoustic runs at 130 BPM, a peak-time tempo track.
What mixes well with Love is Not Enough (feat. Zoë Johnston) - Acoustic?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Love is Not Enough (feat. Zoë Johnston) - Acoustic good for peak time?
With energy 33 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Love Is Not Enough - feat. Zoë Johnston [Extended Mix] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e025cb8ec171dfb3e386642c13f){kind=small}
![End Of All Things [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.