![End Of All Things [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp)
End Of All Things [In My Next Life Mix]
- BPM
- 128
- Open Key
- 8d
- Energy
- 41/100
- Pop
- 5/100
- Length
- 4:39
- Released
- 2019
- Genre
- Progressive Trance
- Loudness
- -8.3 dB
- ISRC
- GBEWA1901062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- End of All Thingsoriginal3B · 125
End Of All Things [In My Next Life Mix] is a peak-time tempo progressive trance track in D♭ major (3B) at 128 BPM. It reads as dark and steady. It is vocal-led. Calmer than 82% of Andrew Bayer's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 79% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is End Of All Things [In My Next Life Mix] in?
End Of All Things [In My Next Life Mix] by Andrew Bayer is in D♭ major, or 3B on the Camelot wheel.
What BPM is End Of All Things [In My Next Life Mix]?
End Of All Things [In My Next Life Mix] runs at 128 BPM, a peak-time tempo track.
What mixes well with End Of All Things [In My Next Life Mix]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is End Of All Things [In My Next Life Mix] good for peak time?
With energy 41 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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