Anamnesis Part 2
30s preview
- BPM
- 128
- Open Key
- 5d
- Energy
- 41/100
- Pop
- 3/100
- Length
- 2:20
- Released
- 2015
- Genre
- Progressive Trance
- Loudness
- -10.7 dB
- Dynamics
- 13.0 dB
- ISRC
- GBEWA1501086
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Anamnesis Part 2: peak-time tempo progressive trance, E major (12B), 128 BPM. Tonally it lands dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Calmer than 84% of Andrew Bayer's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 80% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Anamnesis Part 2 in?
Anamnesis Part 2 by Andrew Bayer is in E major, or 12B on the Camelot wheel.
What BPM is Anamnesis Part 2?
Anamnesis Part 2 runs at 128 BPM, a peak-time tempo track.
What mixes well with Anamnesis Part 2?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Anamnesis Part 2 good for peak time?
With energy 41 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![End Of All Things [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
More progressive trance
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.