The 10th Life - Subtara Progressive Remix
- BPM
- 128
- Open Key
- 4d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 11:45
- Released
- 2012
- Album
- The 10th Life Remixes
- Genre
- Trance
- Loudness
- -14.9 dB
- ISRC
- GBCDK1202063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The 10th Life - Original Mixoriginal10A · 133
- The 10th Life - Artifact 303 Remixremix12A · 133
- The 10th Life - Cj Art Remixremix9A · 133
- The 10th Life - Subtara Progressive Dubversion12B · 128
Against the original (10A at 133 BPM), this version runs 5 BPM slower and moves the key from 10A to 11B.
The 10th Life - Subtara Progressive Remix is a peak-time tempo trance track in A major (11B) at 128 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 91% of John 00 Fleming's catalogue
- Brightness:
- brighter than 85% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The 10th Life - Subtara Progressive Remix in?
The 10th Life - Subtara Progressive Remix by John 00 Fleming is in A major, or 11B on the Camelot wheel.
What BPM is The 10th Life - Subtara Progressive Remix?
The 10th Life - Subtara Progressive Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The 10th Life - Subtara Progressive Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is The 10th Life - Subtara Progressive Remix good for peak time?
With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![New York City [Take Me Away] - Extended Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e029af0e89c0619ccffd8bd2977){kind=small}
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![Immortal Lover [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.