Tokyo
- BPM
- 129
- Open Key
- 4m
- Energy
- 28/100
- Pop
- 0/100
- Length
- 3:06
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -15.9 dB
- ISRC
- GBEWA1101040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Tokyo is a peak-time tempo progressive trance track in F♯ minor (11A) at 129 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 95% of Above & Beyond's catalogue
- Brightness:
- darker than 94% of Above & Beyond's catalogue
- Energy:
- calmer than 93% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tokyo in?
Tokyo by Above & Beyond is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Tokyo?
Tokyo runs at 129 BPM, a peak-time tempo track.
What mixes well with Tokyo?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Tokyo good for peak time?
With energy 28 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
More progressive trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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