All Comes Down - Acoustic Version
30s preview
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 21/100
- Pop
- 6/100
- Length
- 3:10
- Released
- 2019
- Album
- All Comes Down
- Genre
- Trance
- Loudness
- -9.7 dB
- Dynamics
- 13.1 dB
- ISRC
- NLF711909829
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Comes Downoriginal7B · 128
- All Comes Down - Third Party Remixremix12B · 127
- All Comes Down - Just Her Remixremix7B · 120
Against the original (7B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in F major (7B), All Comes Down - Acoustic Version is a peak-time tempo trance production. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 98% of Armin van Buuren's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 87% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is All Comes Down - Acoustic Version in?
All Comes Down - Acoustic Version by Armin van Buuren is in F major, or 7B on the Camelot wheel.
What BPM is All Comes Down - Acoustic Version?
All Comes Down - Acoustic Version runs at 128 BPM, a peak-time tempo track.
What mixes well with All Comes Down - Acoustic Version?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is All Comes Down - Acoustic Version good for peak time?
With energy 21 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
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