All Comes Down - Third Party Remix
30s preview
- BPM
- 127
- Open Key
- 5d
- Energy
- 90/100
- Pop
- 8/100
- Length
- 3:51
- Released
- 2020
- Album
- Balance (Remixes, Pt. 4)
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 10.0 dB
- ISRC
- NLF712001191
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Comes Downoriginal7B · 128
- All Comes Down - Acoustic Versionoriginal7B · 128
- All Comes Down - Just Her Remixremix7B · 120
Against the original (7B at 128 BPM), this version runs 1 BPM slower and moves the key from 7B to 12B.
All Comes Down - Third Party Remix runs 127 BPM in E major (12B), a peak-time tempo trance record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More bass-heavy than 88% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is All Comes Down - Third Party Remix in?
All Comes Down - Third Party Remix by Armin van Buuren is in E major, or 12B on the Camelot wheel.
What BPM is All Comes Down - Third Party Remix?
All Comes Down - Third Party Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with All Comes Down - Third Party Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is All Comes Down - Third Party Remix good for peak time?
With energy 90 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 127 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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More trance
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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