Dreams Come True - Radio Edit by Ruben de Ronde cover art

Dreams Come True - Radio Edit

Ruben de Ronde

Key
12A · D♭ minor
BPM
127
Open Key
5m
Energy
93/100
Pop
0/100
Length
3:08
Released
2015
Album
Dreams Come True
Genre
Progressive Trance
Loudness
-4.4 dB
ISRC
NLF711501365

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11B at 127 BPM), this version holds the same tempo and moves the key from 11B to 12A.

Dreams Come True - Radio Edit runs 127 BPM in D♭ minor (12A), a peak-time tempo progressive trance record. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue.

Groove:
less groove-driven than 79% of Ruben de Ronde's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood26Dark
Groove54
Acoustic3
Instrumental0
Live37
Speech18

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Dreams Come True - Radio Edit in?

Dreams Come True - Radio Edit by Ruben de Ronde is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Dreams Come True - Radio Edit?

Dreams Come True - Radio Edit runs at 127 BPM, a peak-time tempo track.

What mixes well with Dreams Come True - Radio Edit?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Dreams Come True - Radio Edit good for peak time?

With energy 93 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More progressive trance

More from Ruben de Ronde

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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