
Dreams Come True - Radio Edit
- BPM
- 127
- Open Key
- 5m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 3:08
- Released
- 2015
- Album
- Dreams Come True
- Genre
- Progressive Trance
- Loudness
- -4.4 dB
- ISRC
- NLF711501365
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dreams Come True - DRYM Remixremix11B · 128
- Dreams Come True - DRYM Remixremix11B · 128
- Dreams Come True - Original Mixoriginal11B · 127
Against the original (11B at 127 BPM), this version holds the same tempo and moves the key from 11B to 12A.
Dreams Come True - Radio Edit runs 127 BPM in D♭ minor (12A), a peak-time tempo progressive trance record. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue.
- Groove:
- less groove-driven than 79% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dreams Come True - Radio Edit in?
Dreams Come True - Radio Edit by Ruben de Ronde is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Dreams Come True - Radio Edit?
Dreams Come True - Radio Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Dreams Come True - Radio Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Dreams Come True - Radio Edit good for peak time?
With energy 93 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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