Erase You - Wellenrausch's Foxhole
- BPM
- 128
- Open Key
- 4m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 8:45
- Released
- 2014
- Album
- Erase You
- Genre
- Trance
- Loudness
- -7.8 dB
- ISRC
- USA2P1450349
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Erase Youoriginal8A · 128
- Erase You - Wellenrausch's Dark Matter Remixremix8A · 128
- Erase You - Nifra Remixremix9B · 130
- Erase You - Omair Mirza Remixremix9B · 128
- Erase You - Wellenrausch's Dark Matteoriginal8A · 128
Erase You - Wellenrausch's Foxhole: peak-time tempo trance, F♯ minor (11A), 128 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 98% of Markus Schulz's catalogue
- Energy:
- hotter than 82% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Erase You - Wellenrausch's Foxhole in?
Erase You - Wellenrausch's Foxhole by Markus Schulz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Erase You - Wellenrausch's Foxhole?
Erase You - Wellenrausch's Foxhole runs at 128 BPM, a peak-time tempo track.
What mixes well with Erase You - Wellenrausch's Foxhole?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Erase You - Wellenrausch's Foxhole good for peak time?
With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.