Burana - Original Mix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 93/100
- Pop
- 4/100
- Length
- 6:11
- Released
- 2012
- Album
- Burana / Filthy Fandango
- Genre
- Trance
- Loudness
- -2.5 dB
- Dynamics
- 14.4 dB
- ISRC
- NLF711205111
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buranaoriginal6A · 128
Burana - Original Mix: peak-time tempo trance, G minor (6A), 128 BPM. The feel is dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Darker than 85% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
- Groove:
- less groove-driven than 83% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Burana - Original Mix in?
Burana - Original Mix by Orjan Nilsen is in G minor, or 6A on the Camelot wheel.
What BPM is Burana - Original Mix?
Burana - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Burana - Original Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Burana - Original Mix good for peak time?
With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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