Hurricane - Album Mix
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 94/100
- Pop
- 8/100
- Length
- 5:06
- Released
- 2013
- Album
- No Saint Out Of Me
- Genre
- Trance
- Loudness
- -5.6 dB
- ISRC
- NLF711307805
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hurricaneoriginal7B · 128
- Hurricane - Flatdisk Radio Editversion7B · 128
- Hurricane - Kevin Wild Radio Editversion6B · 128
- Hurricane - Kevin Wild Remixremix7A · 128
- Hurricane - Flatdisk Remixremix7B · 128
- Hurricane - Extended Mixversion7B · 128
At 128 BPM in F major (7B), Hurricane - Album Mix is a peak-time tempo trance production. The feel is dark and driving. It is vocal-led. A 2013 production that still circulates in sets. Less groove-driven than 85% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hurricane - Album Mix in?
Hurricane - Album Mix by Orjan Nilsen is in F major, or 7B on the Camelot wheel.
What BPM is Hurricane - Album Mix?
Hurricane - Album Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Hurricane - Album Mix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Hurricane - Album Mix good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
![This Generation [Indio] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e022323409f25987dca576dfa51){kind=small}
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![In My Last Life [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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