Hurricane - Kevin Wild Radio Edit
- BPM
- 128
- Open Key
- 11d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2014
- Album
- Hurricane
- Genre
- Trance
- Loudness
- -5.1 dB
- ISRC
- NLF711403148
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hurricane - Album Mixoriginal7B · 128
- Hurricaneoriginal7B · 128
- Hurricane - Flatdisk Radio Editversion7B · 128
- Hurricane - Kevin Wild Remixremix7A · 128
- Hurricane - Flatdisk Remixremix7B · 128
- Hurricane - Extended Mixversion7B · 128
Against the original (7B at 128 BPM), this version holds the same tempo and moves the key from 7B to 6B.
A peak-time tempo trance cut, Hurricane - Kevin Wild Radio Edit sits in B♭ major (6B) at 128 BPM. It reads as dark and driving. It is vocal-led. A 2014 production that still circulates in sets. More underground than 99% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
- Energy:
- calmer than 77% of Orjan Nilsen's catalogue
- Groove:
- less groove-driven than 76% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hurricane - Kevin Wild Radio Edit in?
Hurricane - Kevin Wild Radio Edit by Orjan Nilsen is in B♭ major, or 6B on the Camelot wheel.
What BPM is Hurricane - Kevin Wild Radio Edit?
Hurricane - Kevin Wild Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Hurricane - Kevin Wild Radio Edit?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Hurricane - Kevin Wild Radio Edit good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.