
Eternity - Qulinez Remix
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 93/100
- Pop
- 1/100
- Length
- 5:56
- Released
- 2012
- Album
- Eternity (feat. Adam Young) [The Remixes]
- Genre
- Trance
- Loudness
- -5.4 dB
- Dynamics
- 14.8 dB
- ISRC
- DEQ691200132
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eternityoriginal8B · 128
- Eternity - Paul van Dyk & Alex M.O.R.P.H. Club Mixversion8B · 132
- Eternity (feat. Adam Young)original8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity - Johan Malmgren Instrumentaloriginal7A · 132
- Eternity - Riley & Durrant Dub Mixversion8B · 127
Against the original (8B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in C major (8B), Eternity - Qulinez Remix is a peak-time tempo trance production. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2012 production that still circulates in sets. Slower than 94% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 92% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Eternity - Qulinez Remix in?
Eternity - Qulinez Remix by Paul van Dyk is in C major, or 8B on the Camelot wheel.
What BPM is Eternity - Qulinez Remix?
Eternity - Qulinez Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Eternity - Qulinez Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Eternity - Qulinez Remix good for peak time?
With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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