Violetta - Exis Remix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 92/100
- Pop
- 10/100
- Length
- 2:34
- Released
- 2016
- Album
- 10 Years Of Orjan Nilsen EP#2
- Genre
- Trance
- Loudness
- -4.8 dB
- Dynamics
- 11.9 dB
- ISRC
- NLF711601165
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Violettaoriginal6A · 128
- Violetta - Extended Mixversion9B · 128
- Violettaoriginal6A · 128
- Violetta - Exis Extended Remixremix4A · 128
Against the original (6A at 128 BPM), this version holds the same tempo in the same key.
Violetta - Exis Remix: peak-time tempo trance, G minor (6A), 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Slower than 84% of Orjan Nilsen's catalogue.
- Low end:
- more treble-tilted than 79% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Violetta - Exis Remix in?
Violetta - Exis Remix by Orjan Nilsen is in G minor, or 6A on the Camelot wheel.
What BPM is Violetta - Exis Remix?
Violetta - Exis Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Violetta - Exis Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Violetta - Exis Remix good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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