Violetta by Orjan Nilsen cover art

Violetta

Orjan Nilsen

Key
6A · G minor
BPM
128
Open Key
11m
Energy
96/100
Pop
10/100
Length
5:51
Released
2013
Album
No Saint Out Of Me
Genre
Trance
Loudness
-6.8 dB
ISRC
NLF711307807

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo trance cut, Violetta sits in G minor (6A) at 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Darker than 98% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 93% of Orjan Nilsen's catalogue
Tempo:
slower than 84% of Orjan Nilsen's catalogue
Energy:
hotter than 78% of Orjan Nilsen's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove50
Acoustic0
Instrumental92
Live30
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Violetta in?

Violetta by Orjan Nilsen is in G minor, or 6A on the Camelot wheel.

What BPM is Violetta?

Violetta runs at 128 BPM, a peak-time tempo track.

What mixes well with Violetta?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Violetta good for peak time?

With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

More from Orjan Nilsen

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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