Endymion - KhoMha Radio Edit
30s preview
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 99/100
- Pop
- 5/100
- Length
- 3:08
- Released
- 2015
- Album
- 10 Years Of Orjan Nilsen EP#1
- Genre
- Trance
- Loudness
- -2.8 dB
- Dynamics
- 12.0 dB
- ISRC
- NLF711507337
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Endymionoriginal4B · 128
- Endymion - Original Mixoriginal4B · 128
- Endymion - KhoMha Remixremix10B · 128
- Endymion - Official Radio Editversion4B · 128
Against the original (4B at 128 BPM), this version holds the same tempo and moves the key from 4B to 5A.
Endymion - KhoMha Radio Edit: peak-time tempo trance, C minor (5A), 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Hotter than 96% of Orjan Nilsen's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 88% of Orjan Nilsen's catalogue
- Brightness:
- darker than 87% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Endymion - KhoMha Radio Edit in?
Endymion - KhoMha Radio Edit by Orjan Nilsen is in C minor, or 5A on the Camelot wheel.
What BPM is Endymion - KhoMha Radio Edit?
Endymion - KhoMha Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Endymion - KhoMha Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Endymion - KhoMha Radio Edit good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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