Unlove You - Myon Return To 95 Extended Mix
- BPM
- 128
- Open Key
- 7m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2020
- Album
- Balance (Remixes Pt.2)
- Genre
- Trance
- Loudness
- -6.2 dB
- ISRC
- NLF712000420
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Unlove You - KOLIDESCOPES Remixremix3B · 117
- Unlove You - Myon Return to 95 Mixoriginal1B · 128
- Unlove Youoriginal2A · 117
- Unlove You - Drop G Extended Remixremix5A · 122
- Unlove You - Drop G Remixremix5A · 122
- Unlove You - Extended Mixversion3A · 117
Against the original (1B at 128 BPM), this version holds the same tempo and moves the key from 1B to 2A.
A peak-time tempo trance cut, Unlove You - Myon Return To 95 Extended Mix sits in E♭ minor (2A) at 128 BPM. The feel is dark and driving. It is vocal-led. Hotter than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Armin van Buuren's catalogue
- Brightness:
- darker than 79% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 77% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Unlove You - Myon Return To 95 Extended Mix in?
Unlove You - Myon Return To 95 Extended Mix by Armin van Buuren is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Unlove You - Myon Return To 95 Extended Mix?
Unlove You - Myon Return To 95 Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Unlove You - Myon Return To 95 Extended Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Unlove You - Myon Return To 95 Extended Mix good for peak time?
With energy 100 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Therapy (feat. James Newman) [Leo Reyes Remix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e028db237a063e305de324bbd80){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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