Endymion - Original Mix by Orjan Nilsen cover art

Endymion - Original Mix

Orjan Nilsen

Key
4B · A♭ major
BPM
128
Open Key
9d
Energy
84/100
Pop
9/100
Length
7:38
Released
2012
Album
Endymion
Genre
Trance
Loudness
-4.5 dB
ISRC
NLF711203418

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo trance cut, Endymion - Original Mix sits in A♭ major (4B) at 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Darker than 89% of Orjan Nilsen's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 87% of Orjan Nilsen's catalogue
Tempo:
slower than 84% of Orjan Nilsen's catalogue
Energy:
calmer than 79% of Orjan Nilsen's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood5Dark
Groove71
Acoustic0
Instrumental74
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Endymion - Original Mix in?

Endymion - Original Mix by Orjan Nilsen is in A♭ major, or 4B on the Camelot wheel.

What BPM is Endymion - Original Mix?

Endymion - Original Mix runs at 128 BPM, a peak-time tempo track.

What mixes well with Endymion - Original Mix?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Endymion - Original Mix good for peak time?

With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Orjan Nilsen

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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