For An Angel (LOUT Remix Edit) - 30th Anniversary Edition by Paul van Dyk cover art

For An Angel (LOUT Remix Edit) - 30th Anniversary Edition

Paul van Dyk

30s preview

Key
9B · G major
BPM
128
Open Key
2d
Energy
82/100
Pop
4/100
Length
3:37
Released
2024
Album
For An Angel (LOUT Remix Edit) [30th Anniversary Edition]
Genre
Trance
Loudness
-9.3 dB
Dynamics
16.7 dB
ISRC
DEQ692400135

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 132 BPM), this version runs 4 BPM slower in the same key.

A peak-time tempo trance cut, For An Angel (LOUT Remix Edit) - 30th Anniversary Edition sits in G major (9B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). Slower than 94% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 91% of Paul van Dyk's catalogue
Brightness:
darker than 83% of Paul van Dyk's catalogue
Groove:
groovier than 81% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood8Dark
Groove71
Acoustic0
Instrumental80
Live26
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is For An Angel (LOUT Remix Edit) - 30th Anniversary Edition in?

For An Angel (LOUT Remix Edit) - 30th Anniversary Edition by Paul van Dyk is in G major, or 9B on the Camelot wheel.

What BPM is For An Angel (LOUT Remix Edit) - 30th Anniversary Edition?

For An Angel (LOUT Remix Edit) - 30th Anniversary Edition runs at 128 BPM, a peak-time tempo track.

What mixes well with For An Angel (LOUT Remix Edit) - 30th Anniversary Edition?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is For An Angel (LOUT Remix Edit) - 30th Anniversary Edition good for peak time?

With energy 82 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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