Where Do We Go? - Ruben de Ronde Radio Edit
30s preview
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 3:09
- Released
- 2015
- Album
- Where Do We Go?
- Genre
- Progressive Trance
- Loudness
- -5.9 dB
- Dynamics
- 9.4 dB
- ISRC
- NLF711506740
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where Do We Go? - Ruben de Ronde Mixoriginal5A · 128
- Where Do We Go? - Tenishia Radio Editversion4B · 134
- Where Do We Go? - Tenishia Mixoriginal8B · 134
Against the original (5A at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in C minor (5A), Where Do We Go? - Ruben de Ronde Radio Edit is a peak-time tempo progressive trance production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue.
- Brightness:
- darker than 77% of Ruben de Ronde's catalogue
- Low end:
- more bass-heavy than 77% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Where Do We Go? - Ruben de Ronde Radio Edit in?
Where Do We Go? - Ruben de Ronde Radio Edit by Ruben de Ronde is in C minor, or 5A on the Camelot wheel.
What BPM is Where Do We Go? - Ruben de Ronde Radio Edit?
Where Do We Go? - Ruben de Ronde Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Where Do We Go? - Ruben de Ronde Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Where Do We Go? - Ruben de Ronde Radio Edit good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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