For An Angel - Öwnboss Remix by Paul van Dyk cover art

For An Angel - Öwnboss Remix

Paul van Dyk

Key
10B · D major
BPM
128
Open Key
3d
Energy
84/100
Pop
18/100
Length
5:04
Released
2024
Album
For An Angel (30th Anniversary Edition)
Genre
Trance
Loudness
-8.6 dB
ISRC
DEQ692400132

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 132 BPM), this version runs 4 BPM slower and moves the key from 9B to 10B.

For An Angel - Öwnboss Remix: peak-time tempo trance, D major (10B), 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Slower than 94% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 82% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood21Dark
Groove66
Acoustic0
Instrumental79
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is For An Angel - Öwnboss Remix in?

For An Angel - Öwnboss Remix by Paul van Dyk is in D major, or 10B on the Camelot wheel.

What BPM is For An Angel - Öwnboss Remix?

For An Angel - Öwnboss Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with For An Angel - Öwnboss Remix?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is For An Angel - Öwnboss Remix good for peak time?

With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.