![Revolution (feat. Chris Madin) [Daniel Creed Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp)
Revolution (feat. Chris Madin) [Daniel Creed Remix]
- Key
- 1B · B major
- BPM
- 128
- Open Key
- 6d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 5:38
- Released
- 2014
- Album
- Scream 2 (Collected Remixes Part 1)
- Genre
- Trance
- Loudness
- -4.7 dB
- ISRC
- USA2P1412282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Revolutionoriginal1B · 128
- Revolution (feat. Chris Madin) [Mike Shiver Remix]remix1A · 128
- Revolution (feat. Chris Madin) [Remember The Revolution Remix]remix1A · 128
Against the original (1B at 128 BPM), this version holds the same tempo in the same key.
Revolution (feat. Chris Madin) [Daniel Creed Remix]: peak-time tempo trance, B major (1B), 128 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 88% of Markus Schulz's catalogue
- Groove:
- groovier than 86% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Revolution (feat. Chris Madin) [Daniel Creed Remix] in?
Revolution (feat. Chris Madin) [Daniel Creed Remix] by Markus Schulz is in B major, or 1B on the Camelot wheel.
What BPM is Revolution (feat. Chris Madin) [Daniel Creed Remix]?
Revolution (feat. Chris Madin) [Daniel Creed Remix] runs at 128 BPM, a peak-time tempo track.
What mixes well with Revolution (feat. Chris Madin) [Daniel Creed Remix]?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Revolution (feat. Chris Madin) [Daniel Creed Remix] good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![Daybreak [Boom] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02c06d3577a2152b515a695226){kind=small}
How to mix it
In 1B at 128 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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