![Daybreak [Boom] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02c06d3577a2152b515a695226)
Daybreak [Boom]
- BPM
- 128
- Open Key
- 7d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 5:34
- Released
- 2015
- Genre
- Trance
- Loudness
- -5.3 dB
- ISRC
- NLD681501165
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Daybreak [Boom] is a peak-time tempo trance track in F♯ major (2B) at 128 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue.
- Brightness:
- brighter than 93% of Markus Schulz's catalogue
- Groove:
- groovier than 83% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Daybreak [Boom] in?
Daybreak [Boom] by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is Daybreak [Boom]?
Daybreak [Boom] runs at 128 BPM, a peak-time tempo track.
What mixes well with Daybreak [Boom]?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Daybreak [Boom] good for peak time?
With energy 82 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Revolution (feat. Chris Madin) [Daniel Creed Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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