Yai (Here We Go Again) - Super8 & Tab Remix
- BPM
- 128
- Open Key
- 6m
- Energy
- 81/100
- Pop
- 24/100
- Length
- 3:46
- Released
- 2015
- Album
- Yai (Here We Go Again) [Super8 & Tab Remix]
- Genre
- Trance
- Loudness
- -4.4 dB
- ISRC
- NLF711503000
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Yai (Here We Go Again) - Super8 & Tab Remixremix1A · 128
Yai (Here We Go Again) - Super8 & Tab Remix is a peak-time tempo trance track in A♭ minor (1A) at 128 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Better known than 97% of Super8 & Tab's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 87% of Super8 & Tab's catalogue
- Groove:
- groovier than 86% of Super8 & Tab's catalogue
- Tempo:
- slower than 79% of Super8 & Tab's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Yai (Here We Go Again) - Super8 & Tab Remix in?
Yai (Here We Go Again) - Super8 & Tab Remix by Super8 & Tab is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Yai (Here We Go Again) - Super8 & Tab Remix?
Yai (Here We Go Again) - Super8 & Tab Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Yai (Here We Go Again) - Super8 & Tab Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Yai (Here We Go Again) - Super8 & Tab Remix good for peak time?
With energy 81 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
![Revolution (feat. Chris Madin) [Daniel Creed Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![Daybreak [Boom] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02c06d3577a2152b515a695226){kind=small}
More from Super8 & Tab
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.