Talk to Me (Orjan Nilsen trance mix edit)
30s preview
- BPM
- 128
- Open Key
- 7d
- Energy
- 82/100
- Pop
- 12/100
- Length
- 3:04
- Released
- 2013
- Genre
- Trance
- Loudness
- -9.0 dB
- Dynamics
- 17.1 dB
- ISRC
- NLF711504147
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in F♯ major (2B), Talk to Me (Orjan Nilsen trance mix edit) is a peak-time tempo trance production. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2013 production that still circulates in sets. Slower than 96% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- calmer than 87% of John O'Callaghan's catalogue
- Low end:
- more treble-tilted than 82% of John O'Callaghan's catalogue
- Reach:
- better known than 79% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Talk to Me (Orjan Nilsen trance mix edit) in?
Talk to Me (Orjan Nilsen trance mix edit) by John O'Callaghan is in F♯ major, or 2B on the Camelot wheel.
What BPM is Talk to Me (Orjan Nilsen trance mix edit)?
Talk to Me (Orjan Nilsen trance mix edit) runs at 128 BPM, a peak-time tempo track.
What mixes well with Talk to Me (Orjan Nilsen trance mix edit)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Talk to Me (Orjan Nilsen trance mix edit) good for peak time?
With energy 82 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Revolution (feat. Chris Madin) [Daniel Creed Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![Daybreak [Boom] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02c06d3577a2152b515a695226){kind=small}
More from John O'Callaghan
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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