Revolution (feat. Chris Madin) [Mike Shiver Remix] by Markus Schulz cover art

Revolution (feat. Chris Madin) [Mike Shiver Remix]

Markus Schulz

30s preview

Key
1A · A♭ minor
BPM
128
Open Key
6m
Energy
89/100
Pop
0/100
Length
6:08
Released
2014
Album
Scream 2 (Collected Remixes Part 1)
Genre
Trance
Loudness
-5.7 dB
Dynamics
14.9 dB
ISRC
USA2P1412280

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1B at 128 BPM), this version holds the same tempo and moves the key from 1B to 1A.

Revolution (feat. Chris Madin) [Mike Shiver Remix] is a peak-time tempo trance track in A♭ minor (1A) at 128 BPM. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue.

Low end:
more treble-tilted than 94% of Markus Schulz's catalogue
Brightness:
brighter than 81% of Markus Schulz's catalogue
Tempo:
slower than 77% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood33Dark
Groove57
Acoustic5
Instrumental25
Live43
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Revolution (feat. Chris Madin) [Mike Shiver Remix] in?

Revolution (feat. Chris Madin) [Mike Shiver Remix] by Markus Schulz is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Revolution (feat. Chris Madin) [Mike Shiver Remix]?

Revolution (feat. Chris Madin) [Mike Shiver Remix] runs at 128 BPM, a peak-time tempo track.

What mixes well with Revolution (feat. Chris Madin) [Mike Shiver Remix]?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Revolution (feat. Chris Madin) [Mike Shiver Remix] good for peak time?

With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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