Identify Me - 2006 Vocal Radio edit
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:34
- Released
- 2009
- Album
- Identify Me
- Genre
- Progressive House
- Loudness
- -6.6 dB
- ISRC
- AUNV00901355
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Identify Me - 2006 Vocal Mixoriginal9B · 128
- Identify Me - Chopsticks Dub Mixversion8B · 128
- Identify Me - Chopsticks Radio Editversion8B · 128
- Identify Me - Chopsticks Vocal Remixremix8B · 128
- Identify Me - Daniel Taylor Remixremix3A · 128
- Identify Me - Original instrumentaloriginal10A · 128
Against the original (9B at 128 BPM), this version holds the same tempo in the same key.
Identify Me - 2006 Vocal Radio edit: peak-time tempo progressive house, G major (9B), 128 BPM. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. More underground than 99% of Jaytech's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 95% of Jaytech's catalogue
- Groove:
- less groove-driven than 88% of Jaytech's catalogue
- Brightness:
- brighter than 79% of Jaytech's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Identify Me - 2006 Vocal Radio edit in?
Identify Me - 2006 Vocal Radio edit by Jaytech is in G major, or 9B on the Camelot wheel.
What BPM is Identify Me - 2006 Vocal Radio edit?
Identify Me - 2006 Vocal Radio edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Identify Me - 2006 Vocal Radio edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Identify Me - 2006 Vocal Radio edit good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![This Generation [Indio] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e022323409f25987dca576dfa51){kind=small}
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jaytech
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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