Rock Your Body Rock - Mat Zo Remix
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 91/100
- Pop
- 1/100
- Length
- 3:38
- Released
- 2021
- Album
- Rock Your Body Rock (Mat Zo Remix)
- Genre
- Trance
- Loudness
- -4.8 dB
- ISRC
- NLQ882100010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock Your Body Rock - Original Editversion4B · 132
- Rock Your Body Rockoriginal5B · 132
- Rock Your Body Rock - Extended Mixversion2B · 132
- Rock Your Body Rock - ARTY Rock-N-Rolla Mixoriginal5B · 129
- Rock Your Body Rock - Dimitri Vegas & Like Mike Mainstage Remixremix4A · 129
- Rock Your Body Rockoriginal5A · 132
Against the original (5B at 132 BPM), this version runs 4 BPM slower and moves the key from 5B to 5A.
A peak-time tempo trance cut, Rock Your Body Rock - Mat Zo Remix sits in C minor (5A) at 128 BPM. The feel is dark and driving. The master is loud and heavily compressed. Darker than 86% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rock Your Body Rock - Mat Zo Remix in?
Rock Your Body Rock - Mat Zo Remix by Ferry Corsten is in C minor, or 5A on the Camelot wheel.
What BPM is Rock Your Body Rock - Mat Zo Remix?
Rock Your Body Rock - Mat Zo Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Rock Your Body Rock - Mat Zo Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Rock Your Body Rock - Mat Zo Remix good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Bayfront [Miami] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02009c30c7a618f3a741ba0740){kind=small}
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![Bayfront [Miami] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02399f39f2993fc7843463fec8){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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