Say Another What (original mix)
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 2/100
- Length
- 3:31
- Released
- 2013
- Genre
- Progressive Trance
- Loudness
- -5.2 dB
- Dynamics
- 13.3 dB
- ISRC
- DEQ691300051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, Say Another What (original mix) sits in E minor (9A) at 128 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More treble-tilted than 94% of Genix's catalogue.
- Tempo:
- slower than 82% of Genix's catalogue
- Groove:
- less groove-driven than 78% of Genix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Say Another What (original mix) in?
Say Another What (original mix) by Genix is in E minor, or 9A on the Camelot wheel.
What BPM is Say Another What (original mix)?
Say Another What (original mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Say Another What (original mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Say Another What (original mix) good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![Bayfront [Miami] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02399f39f2993fc7843463fec8){kind=small}
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
![Bayfront [Miami] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02009c30c7a618f3a741ba0740){kind=small}
More from Genix
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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