We're All In This Together (Above & Beyond Respray)
30s preview
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 79/100
- Pop
- 19/100
- Length
- 4:26
- Released
- 2020
- Genre
- Progressive Trance
- Loudness
- -6.2 dB
- Dynamics
- 9.6 dB
- ISRC
- GBEWA1905970
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in C minor (5A), We're All In This Together (Above & Beyond Respray) is a peak-time tempo progressive trance production. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Genix's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 90% of Genix's catalogue
- Tempo:
- slower than 82% of Genix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is We're All In This Together (Above & Beyond Respray) in?
We're All In This Together (Above & Beyond Respray) by Genix is in C minor, or 5A on the Camelot wheel.
What BPM is We're All In This Together (Above & Beyond Respray)?
We're All In This Together (Above & Beyond Respray) runs at 128 BPM, a peak-time tempo track.
What mixes well with We're All In This Together (Above & Beyond Respray)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is We're All In This Together (Above & Beyond Respray) good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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