No Rush (ASOT 1191)
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 91/100
- Pop
- 8/100
- Length
- 2:06
- Released
- 2024
- Genre
- Trance
- Loudness
- -6.2 dB
- ISRC
- DEL672400019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
No Rush (ASOT 1191) runs 128 BPM in F minor (4A), a peak-time tempo trance record. It reads as dark and driving. It is vocal-led. Better known than 87% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 79% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is No Rush (ASOT 1191) in?
No Rush (ASOT 1191) by Kyau & Albert is in F minor, or 4A on the Camelot wheel.
What BPM is No Rush (ASOT 1191)?
No Rush (ASOT 1191) runs at 128 BPM, a peak-time tempo track.
What mixes well with No Rush (ASOT 1191)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is No Rush (ASOT 1191) good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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