This Traktor - Radio Edit
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 4:07
- Released
- 2014
- Album
- The Drop E.P.
- Genre
- Trance
- Loudness
- -4.0 dB
- ISRC
- NLF711404224
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Traktororiginal6A · 128
- This Traktor - Original Mixoriginal4B · 128
- This Traktor - Extended Mixversion4B · 128
Against the original (6A at 128 BPM), this version holds the same tempo in the same key.
This Traktor - Radio Edit runs 128 BPM in G minor (6A), a peak-time tempo trance record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 91% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This Traktor - Radio Edit in?
This Traktor - Radio Edit by Orjan Nilsen is in G minor, or 6A on the Camelot wheel.
What BPM is This Traktor - Radio Edit?
This Traktor - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with This Traktor - Radio Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is This Traktor - Radio Edit good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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