Come Around Again - Club Mix
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 2:58
- Released
- 2023
- Album
- Feel Again (Remixes)
- Genre
- Trance
- Loudness
- -4.9 dB
- Dynamics
- 11.8 dB
- ISRC
- NLF712206804
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Around Againoriginal8A · 124
- Come Around Again - Extended Club Mixversion9B · 128
- Come Around Again - Extended Mixversion8A · 124
- Come Around Again - Starpicker Extended Remixremix8A · 138
- Come Around Again - Starpicker Remixremix8A · 138
Against the original (8A at 124 BPM), this version runs 4 BPM faster in the same key.
A peak-time tempo trance cut, Come Around Again - Club Mix sits in A minor (8A) at 128 BPM. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Come Around Again - Club Mix in?
Come Around Again - Club Mix by Armin van Buuren is in A minor, or 8A on the Camelot wheel.
What BPM is Come Around Again - Club Mix?
Come Around Again - Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Come Around Again - Club Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Come Around Again - Club Mix good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Niton [The Reason] - Extended Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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