Check It Out (Radio Edit)
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:04
- Released
- 2011
- Album
- Check It Out
- Genre
- Trance
- Loudness
- -4.3 dB
- Dynamics
- 11.5 dB
- ISRC
- NLQ881100887
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Check It Outoriginal9A · 128
- Check It Out (Extended Instrumental)version9A · 128
- Check It Out (Orginal Extended)version9A · 128
- Check It Out - Bassjackers Remixremix9B · 128
- Check It Out - Kyau & Albert Remixremix9B · 132
Against the original (9A at 128 BPM), this version holds the same tempo and moves the key from 9A to 9B.
Check It Out (Radio Edit) runs 128 BPM in G major (9B), a peak-time tempo trance record. The feel is punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue.
- Low end:
- more treble-tilted than 88% of Ferry Corsten's catalogue
- Energy:
- hotter than 76% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Check It Out (Radio Edit) in?
Check It Out (Radio Edit) by Ferry Corsten is in G major, or 9B on the Camelot wheel.
What BPM is Check It Out (Radio Edit)?
Check It Out (Radio Edit) runs at 128 BPM, a peak-time tempo track.
What mixes well with Check It Out (Radio Edit)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Check It Out (Radio Edit) good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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