Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells)
- Key
- 1B · B major
- BPM
- 128
- Open Key
- 6d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 2:53
- Released
- 2013
- Album
- Tempted (feat. Sarah Howells)
- Genre
- Trance
- Loudness
- -3.3 dB
- ISRC
- PLB381300152
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Temptedoriginal10A · 127
- Temptedoriginal10A · 127
- Tempted - Extended Mixversion11A · 127
- Temptedoriginal10A · 127
- Tempted - Mike Saint-Jules Remixremix11B · 128
- Tempted (Dennis Sheperd Radio Edit) (feat. Sarah Howells)version11A · 130
Against the original (10A at 127 BPM), this version runs 1 BPM faster and moves the key from 10A to 1B.
Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells) runs 128 BPM in B major (1B), a peak-time tempo trance record. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue.
- Brightness:
- brighter than 85% of Markus Schulz's catalogue
- Energy:
- hotter than 82% of Markus Schulz's catalogue
- Groove:
- groovier than 81% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells) in?
Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells) by Markus Schulz is in B major, or 1B on the Camelot wheel.
What BPM is Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells)?
Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells) runs at 128 BPM, a peak-time tempo track.
What mixes well with Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Tempted (Kill The Buzz Radio Edit) (feat. Sarah Howells) good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 128 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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