I See Spots
- BPM
- 128
- Open Key
- 6m
- Energy
- 95/100
- Pop
- 2/100
- Length
- 3:34
- Released
- 2018
- Genre
- Trance
- Loudness
- -6.4 dB
- ISRC
- NLF711807191
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in A♭ minor (1A), I See Spots is a peak-time tempo trance production. The feel is punchy, neutral in mood. It is vocal-led. A 2018 production that still circulates in sets. Brighter than 93% of Orjan Nilsen's catalogue.
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
- Energy:
- hotter than 76% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I See Spots in?
I See Spots by Orjan Nilsen is in A♭ minor, or 1A on the Camelot wheel.
What BPM is I See Spots?
I See Spots runs at 128 BPM, a peak-time tempo track.
What mixes well with I See Spots?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is I See Spots good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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