I Am You (CC651)
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2019
- Album
- Corsten's Countdown 651
- Genre
- Trance
- Loudness
- -5.4 dB
- Dynamics
- 9.9 dB
- ISRC
- NLD681904411
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Am Youoriginal10A · 128
- I Am You - Extended Mixversion9B · 128
- I Am You (CC652)original10A · 128
- I Am You (CC650)original10A · 129
I Am You (CC651) is a peak-time tempo trance track in G major (9B) at 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 82% of Ferry Corsten's catalogue
- Groove:
- groovier than 81% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 78% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is I Am You (CC651) in?
I Am You (CC651) by Ferry Corsten is in G major, or 9B on the Camelot wheel.
What BPM is I Am You (CC651)?
I Am You (CC651) runs at 128 BPM, a peak-time tempo track.
What mixes well with I Am You (CC651)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I Am You (CC651) good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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