Loops & Tings - Extended Mix
- BPM
- 128
- Open Key
- 8m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:23
- Released
- 2012
- Album
- Loops & Tings
- Genre
- Trance
- Loudness
- -5.4 dB
- ISRC
- NLF712502089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loops & Tings (ASOT 1219)original4A · 128
- Loops & Tingsoriginal3A · 128
Against the original (4A at 128 BPM), this version holds the same tempo and moves the key from 4A to 3A.
Loops & Tings - Extended Mix runs 128 BPM in B♭ minor (3A), a peak-time tempo trance record. Tonally it lands dark and driving. A 2012 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 88% of Ferry Corsten's catalogue
- Brightness:
- darker than 81% of Ferry Corsten's catalogue
- Energy:
- hotter than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Loops & Tings - Extended Mix in?
Loops & Tings - Extended Mix by Ferry Corsten is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Loops & Tings - Extended Mix?
Loops & Tings - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Loops & Tings - Extended Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Loops & Tings - Extended Mix good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.