Loops & Tings by Ferry Corsten cover art

Loops & Tings

Ferry Corsten

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
91/100
Pop
0/100
Length
3:11
Released
2012
Genre
Trance
Loudness
-4.8 dB
ISRC
NLF712502088

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Loops & Tings is a peak-time tempo trance track in B♭ minor (3A) at 128 BPM. The master is loud and heavily compressed. A 2012 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue.

Groove:
groovier than 89% of Ferry Corsten's catalogue
Brightness:
darker than 80% of Ferry Corsten's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood9Dark
Groove68
Acoustic2
Instrumental41
Live21
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Loops & Tings in?

Loops & Tings by Ferry Corsten is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Loops & Tings?

Loops & Tings runs at 128 BPM, a peak-time tempo track.

What mixes well with Loops & Tings?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Loops & Tings good for peak time?

With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Ferry Corsten

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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