Rock Your Body Rock (RES002) - Mat Zo Remix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 4:30
- Released
- 2021
- Album
- Resonation Vol. 2 - 2021
- Genre
- Trance
- Loudness
- -4.8 dB
- Dynamics
- 11.7 dB
- ISRC
- NLF712102575
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock Your Body Rock - Original Editversion4B · 132
- Rock Your Body Rockoriginal5B · 132
- Rock Your Body Rock - Extended Mixversion2B · 132
- Rock Your Body Rock - ARTY Rock-N-Rolla Mixoriginal5B · 129
- Rock Your Body Rock - Dimitri Vegas & Like Mike Mainstage Remixremix4A · 129
- Rock Your Body Rockoriginal5A · 132
Against the original (5B at 132 BPM), this version runs 4 BPM slower and moves the key from 5B to 3A.
Rock Your Body Rock (RES002) - Mat Zo Remix runs 128 BPM in B♭ minor (3A), a peak-time tempo trance record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Ferry Corsten's catalogue.
- Groove:
- groovier than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Rock Your Body Rock (RES002) - Mat Zo Remix in?
Rock Your Body Rock (RES002) - Mat Zo Remix by Ferry Corsten is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Rock Your Body Rock (RES002) - Mat Zo Remix?
Rock Your Body Rock (RES002) - Mat Zo Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Rock Your Body Rock (RES002) - Mat Zo Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Rock Your Body Rock (RES002) - Mat Zo Remix good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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