Tempted - Mike Saint-Jules Remix
- BPM
- 128
- Open Key
- 4d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 2014
- Album
- Scream 2 (Collected Remixes Part 2)
- Genre
- Trance
- Loudness
- -6.4 dB
- ISRC
- USA2P1492474
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Temptedoriginal10A · 127
- Temptedoriginal10A · 127
- Tempted - Extended Mixversion11A · 127
- Temptedoriginal10A · 127
- Tempted (Dennis Sheperd Radio Edit) (feat. Sarah Howells)version11A · 130
- Tempted (Dennis Sheperd Remix) (feat. Sarah Howells)remix11A · 130
Against the original (10A at 127 BPM), this version runs 1 BPM faster and moves the key from 10A to 11B.
Tempted - Mike Saint-Jules Remix runs 128 BPM in A major (11B), a peak-time tempo trance record. It is vocal-led. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 85% of Markus Schulz's catalogue
- Groove:
- groovier than 82% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tempted - Mike Saint-Jules Remix in?
Tempted - Mike Saint-Jules Remix by Markus Schulz is in A major, or 11B on the Camelot wheel.
What BPM is Tempted - Mike Saint-Jules Remix?
Tempted - Mike Saint-Jules Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Tempted - Mike Saint-Jules Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Tempted - Mike Saint-Jules Remix good for peak time?
With energy 78 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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