DNA Extractor - Markus Schulz Big Room Reconstruction Edit
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 4:15
- Released
- 2011
- Album
- Be at Space (Unmixed Edits)
- Genre
- Trance
- Loudness
- -6.9 dB
- Dynamics
- 12.3 dB
- ISRC
- NLF711102373
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstructionoriginal11B · 132
- DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstructionoriginal11B · 132
Against the original (11B at 132 BPM), this version runs 4 BPM slower and moves the key from 11B to 10B.
At 128 BPM in D major (10B), DNA Extractor - Markus Schulz Big Room Reconstruction Edit is a peak-time tempo trance production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 98% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is DNA Extractor - Markus Schulz Big Room Reconstruction Edit in?
DNA Extractor - Markus Schulz Big Room Reconstruction Edit by Markus Schulz is in D major, or 10B on the Camelot wheel.
What BPM is DNA Extractor - Markus Schulz Big Room Reconstruction Edit?
DNA Extractor - Markus Schulz Big Room Reconstruction Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with DNA Extractor - Markus Schulz Big Room Reconstruction Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is DNA Extractor - Markus Schulz Big Room Reconstruction Edit good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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