Amis Ama - Original Mix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 80/100
- Pop
- 2/100
- Length
- 5:15
- Released
- 2015
- Album
- Amis Ama
- Genre
- Trance
- Loudness
- -3.0 dB
- Dynamics
- 10.5 dB
- ISRC
- NLF711502183
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Amis Ama - Radio Editversion11A · 128
Amis Ama - Original Mix is a peak-time tempo trance track in F♯ minor (11A) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Groovier than 99% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- calmer than 87% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
- Brightness:
- brighter than 75% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Amis Ama - Original Mix in?
Amis Ama - Original Mix by Orjan Nilsen is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Amis Ama - Original Mix?
Amis Ama - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Amis Ama - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Amis Ama - Original Mix good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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