The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2011
- Album
- The Dream
- Genre
- Trance
- Loudness
- -8.2 dB
- ISRC
- NLE711114332
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Dream - Radio Editversion7B · 130
- The Dream - Club Mixversion7B · 130
- The Dream - Jason van Wyk Remixremix7A · 130
- The Dream - Radio Editversion7B · 130
- The Dream - Rafaël Frost Remixremix6B · 132
The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix runs 128 BPM in C minor (5A), a peak-time tempo trance record. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Groovier than 99% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of John O'Callaghan's catalogue
- Tempo:
- slower than 96% of John O'Callaghan's catalogue
- Energy:
- calmer than 89% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix in?
The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix by John O'Callaghan is in C minor, or 5A on the Camelot wheel.
What BPM is The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix?
The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remix good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.