For An Angel - LOUT Remix
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 77/100
- Pop
- 17/100
- Length
- 6:16
- Released
- 2024
- Album
- For An Angel (30th Anniversary Edition)
- Genre
- Trance
- Loudness
- -8.7 dB
- ISRC
- DEQ692400136
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- For An Angel - PvD Angel In Heaven Radio Editversion8A · 138
- For an Angel - Escape Mixoriginal9B · 132
- For an Angel - E-Werk Club Mixversion8A · 138
- For An Angel - Way Out West Remixremix11B · 140
- For An Angel (Kolonie Remix Edit) - 30th Anniversary Editionremix8A · 128
- For An Angel - Kolonie Remixremix10B · 128
Against the original (9B at 132 BPM), this version runs 4 BPM slower in the same key.
For An Angel - LOUT Remix runs 128 BPM in G major (9B), a peak-time tempo trance record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Slower than 94% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 94% of Paul van Dyk's catalogue
- Reach:
- better known than 80% of Paul van Dyk's catalogue
- Brightness:
- darker than 78% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is For An Angel - LOUT Remix in?
For An Angel - LOUT Remix by Paul van Dyk is in G major, or 9B on the Camelot wheel.
What BPM is For An Angel - LOUT Remix?
For An Angel - LOUT Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with For An Angel - LOUT Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is For An Angel - LOUT Remix good for peak time?
With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Not Alone [Listener's Choice] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02912c2f48f0ffedf3143c31e3){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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