Welcome To The Future (Schiller Extended Remix)
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 77/100
- Pop
- 16/100
- Length
- 6:15
- Released
- 2024
- Album
- Welcome To The Future (Schiller Remix)
- Genre
- Trance
- Loudness
- -9.1 dB
- Dynamics
- 10.2 dB
- ISRC
- DEA312300987
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Welcome To The Future (Schiller Remix)remix9B · 128
- Welcome To The Futureoriginal6A · 138
- Welcome To The Future (Rraw! Remix)remix9B · 132
- Welcome To The Future (Rraw! Extended Mix)version9B · 132
Against the original (6A at 138 BPM), this version runs 10 BPM slower and moves the key from 6A to 10B.
Welcome To The Future (Schiller Extended Remix) is a peak-time tempo trance track in D major (10B) at 128 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 89% of Talla 2XLC's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 87% of Talla 2XLC's catalogue
- Tempo:
- slower than 78% of Talla 2XLC's catalogue
- Brightness:
- darker than 75% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Welcome To The Future (Schiller Extended Remix) in?
Welcome To The Future (Schiller Extended Remix) by Talla 2XLC is in D major, or 10B on the Camelot wheel.
What BPM is Welcome To The Future (Schiller Extended Remix)?
Welcome To The Future (Schiller Extended Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Welcome To The Future (Schiller Extended Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Welcome To The Future (Schiller Extended Remix) good for peak time?
With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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