Down - Video Edit
30s preview
- BPM
- 128
- Open Key
- 4d
- Energy
- 77/100
- Pop
- 2/100
- Length
- 3:26
- Released
- 2014
- Album
- Down
- Genre
- Trance
- Loudness
- -4.8 dB
- Dynamics
- 10.2 dB
- ISRC
- DEL671400091
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Down - Sebastien Remixremix11B · 120
- Down - Sebastien Radio Editversion11B · 120
- Downoriginal11B · 128
- Down - Original Mixoriginal11B · 128
- Down - Francesco Sambero Remix Editremix11B · 128
- Down - Francesco Sambero Remixremix11B · 128
Against the original (11B at 128 BPM), this version holds the same tempo in the same key.
Down - Video Edit: peak-time tempo trance, A major (11B), 128 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Down - Video Edit in?
Down - Video Edit by Kyau & Albert is in A major, or 11B on the Camelot wheel.
What BPM is Down - Video Edit?
Down - Video Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Down - Video Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Down - Video Edit good for peak time?
With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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