We Are Tonight - Alex Wackii & L5where Remix
30s preview
- BPM
- 128
- Open Key
- 7m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 5:08
- Released
- 2013
- Album
- We Are Tonight (Remixes)
- Genre
- Trance
- Loudness
- -9.1 dB
- Dynamics
- 13.3 dB
- ISRC
- NLF711311104
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are Tonight - Las Salinas Remixremix2A · 130
- We Are Tonight - Las Salinas Radio Editversion2A · 130
- We Are Tonight - Club Mixversion2A · 134
- We Are Tonightoriginal2B · 128
- We Are Tonight - Walden Extended Remixremix2A · 128
- We Are Tonightoriginal2B · 128
Against the original (2B at 128 BPM), this version holds the same tempo and moves the key from 2B to 2A.
At 128 BPM in E♭ minor (2A), We Are Tonight - Alex Wackii & L5where Remix is a peak-time tempo trance production. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 94% of Paul van Dyk's catalogue
- Brightness:
- brighter than 88% of Paul van Dyk's catalogue
- Low end:
- more bass-heavy than 82% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is We Are Tonight - Alex Wackii & L5where Remix in?
We Are Tonight - Alex Wackii & L5where Remix by Paul van Dyk is in E♭ minor, or 2A on the Camelot wheel.
What BPM is We Are Tonight - Alex Wackii & L5where Remix?
We Are Tonight - Alex Wackii & L5where Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with We Are Tonight - Alex Wackii & L5where Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is We Are Tonight - Alex Wackii & L5where Remix good for peak time?
With energy 78 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![Make It Ours [Flashover Mix] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/65612bcfce00b2fac684.webp){kind=small}
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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