![Make It Ours [Flashover Mix] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/65612bcfce00b2fac684.webp)
Make It Ours [Flashover Mix]
30s preview
- BPM
- 128
- Open Key
- 6m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 5:35
- Released
- 2015
- Genre
- Trance
- Loudness
- -6.5 dB
- Dynamics
- 11.0 dB
- ISRC
- NLQ881500026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Make It Oursoriginal1A · 128
Make It Ours [Flashover Mix] runs 128 BPM in A♭ minor (1A), a peak-time tempo trance record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue.
- Groove:
- groovier than 83% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Make It Ours [Flashover Mix] in?
Make It Ours [Flashover Mix] by Ferry Corsten is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Make It Ours [Flashover Mix]?
Make It Ours [Flashover Mix] runs at 128 BPM, a peak-time tempo track.
What mixes well with Make It Ours [Flashover Mix]?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Make It Ours [Flashover Mix] good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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