Caught (Radio Edit) (feat. Adina Butar)
- BPM
- 128
- Open Key
- 7d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 4:00
- Released
- 2012
- Genre
- Trance
- Loudness
- -3.5 dB
- ISRC
- PLB381200698
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Caughtoriginal2B · 128
- Caught - Club Mixversion3A · 128
- Caught - Duderstadt Radio Editversion3B · 128
- Caught - Duderstadt Remixremix3B · 128
- Caught - Tritonal Club Mixversion3A · 128
- Caught - Tritonal Radio Editversion3A · 128
Against the original (2B at 128 BPM), this version holds the same tempo in the same key.
Caught (Radio Edit) (feat. Adina Butar) runs 128 BPM in F♯ major (2B), a peak-time tempo trance record. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2012 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 85% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 76% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Caught (Radio Edit) (feat. Adina Butar) in?
Caught (Radio Edit) (feat. Adina Butar) by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is Caught (Radio Edit) (feat. Adina Butar)?
Caught (Radio Edit) (feat. Adina Butar) runs at 128 BPM, a peak-time tempo track.
What mixes well with Caught (Radio Edit) (feat. Adina Butar)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Caught (Radio Edit) (feat. Adina Butar) good for peak time?
With energy 76 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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